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It got an episode on a Mystery Science Theater 3000 fan series. This is the one that tends not to be mentioned in the studio-anniversary clip shows. Supposedly, he went home and got drunk.īy the way, it was released by Columbia Pictures - also responsible for Lawrence of Arabia and Jason and the Argonauts.
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Reportedly, Morrow, upon hearing the audience's reaction, left the theater early with a red face hidden beneath a turned-up collar, afraid that someone might recognize him. None of the cast actually saw what they were supposed to be terrified of until they attended the film's premiere. perhaps most priceless of all is the fact that all scenes with the actors were filmed first - and then the scenes with the puppet were spliced in. Although the actors' ruminations on their careers upon seeing the monster for the first time might've been entertaining.īecause. All that's missing is the Fauxlosophic Narration. It's got everything that a comedy movie disguised as a B science-fiction/horror movie from the 50s should have a completely ridiculous monster, laughable dialogue delivered with total sincerity, copious use of mismatched stock footage, gobs and gobs of pseudo-scientific Techno Babble.
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It's time for women to gaze at the sky and pretend to scream in terror, for model cars and trains to be awkwardly plucked off papier-mâché sets, and for a scheme " so crazy, it just might work!" to be contrived to defeat the bird. as embodied by a puppet that looks like Buzz Buzzard's evil twin.
#Dinotopia movie giant eel manual
Thus we finally get our first glimpses of the beast that would put the combined worst of the bestiaries from every Dungeons & Dragons Monster Manual to shame: a mighty battleship-sized phoenix from outer space, that flies faster than the speed of sound, that emanates a force-field of antimatter protecting it from all that the military can throw at it.