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When he abandoned her for another woman, she drowned their two children in the river and then herself. As the legend goes, La Llorona was a poor woman who married a nobleman. The film is based on the legend of La Llorona, a Mexican folklore tale that originated in the 19th Century. Linda Cardellini and Tony Amendola as Father Perez who connects up to the rest of The Conjuring Universe And even with the idea of a shared universe – an idea that only seems to exist because Marvel Comics are having such success doing so at the moment – what does it actually mean? Are we going to get subsequent films where Annabelle, The Nun and La Llorona team-up and/or battle one another sort of like Universal’s monster bashes of the 1940s beginning with Frankenstein Meets the Wolf Man (1943). Even so, most of the sequels – Annabelle: Creation excepted – have emerged as so shabby that it is starting to feel like damaged goods that audiences are soon likely to turn off. It might well be a selling hook for the films that gets audiences in the door. One is somewhat dubious about this prospect of creating a Conjuring Universe. There is even a scene where he talks about how he was convinced of the existence of the supernatural by his experiences and we get a flashback of him carrying the Annabelle doll.
#The curse of la llorona conjuring universe series
The point of connection to the rest of the series is Tony Amendola who has several scenes as Father Perez, the character he also played in Annabelle. The Curse of La Llorona was another chapter in what is now being called The Conjuring Universe. Scenes were placed in The Conjuring 2 that laid the groundwork for The Nun (2018), which is supposedly a (fictionalised) story from Lorraine’s early years.
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By this point, Wan and associates had hit onto the idea of building a shared universe. The spooky doll that was seen in the opening scenes of The Conjuring became a sufficient talking point that it was given its own film with Annabelle (2014) and that proved of sufficient success that it spun off sequels with Annabelle: Creation (2017) and Annabelle Comes Home (2019). Wan followed that with The Conjuring 2 (2016). Wan made The Conjuring (2013) based on the claimedly true-life experiences of ghost hunters and demonologists Ed and Lorraine Warren, and this proved an enormous success. The Curse of La Llorona was a further attempt to build a shared universe out from James Wan’s The Conjuring films. As Anna discovers, Patricia’s children were haunted by La Llorona and she has placed the curse on Anna, asking La Llorona to claim her children in vengeance for Anna having taken her boys away. Her ghost now roams seeking to claim other children. Investigating further, Anna discovers that this is the legendary figure of La Llorona, a Mexican woman from the 18th Century who found her husband was unfaithful and responded by drowning her two children and then killing herself. First the children and then Anna begin to see visions of a crying woman in a wedding dress who leaves burn marks when she touches their wrist. Anna is raising her own two children Chris and Samantha following the death of her husband, a police officer, in the line of duty. Shortly after, the two boys are found dead. Inside the house, Anna finds the two boys locked in a closet and has to order them taken into care, while Patricia is jailed.
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Social worker Anna Tate-Garcia goes to visit Patricia Alvarez, a Mexican immigrant, after her two boys are reported for truancy.